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I have met the famous men, the gaunt Caucasians with the powers you’ve heard about and thought you could fight, the. . .
“Why do I love what fades?”
The offices of the University Weekly are socketed within the. . .
“Evan is having an affair.”
This is the first of two surprises I’ve brought to my girlfriend’s college from New. . .
How liberal discourse flattens out the work of critical race analysis.
A Q&A with Ashley Dawson, author of "Extreme Cities."
The modern history of art is a history of its removal and destruction.