Generational Recurse

Brianna Di Monda

Family history in the fiction of Vigdis Hjorth

April 30

The Culture We Deserve

Janna Shaftan

The only thing that can be preserved is what we hold onto past the point of reason.

April 29

We Bought an Orchestra

Jeffrey Arlo Brown

Oligarchy ruins everything, even Brahms’s First Symphony.

April 28

Red Noir

Harilaos Stecopoulos

Sensitivity to the downtrodden informs the work collected in the new edition of Jim Thompson’s oeuvre.

Israel and Palestine in Context

All articles, essays, and poems about Palestine are now available for free. If you like our coverage, please consider supporting us and subscribing today.

February 10, 2026

I’m Not Done with You

Mary Turfah

If bodies keep a score, Israel uses the Palestinian body to say it is winning.

October 1, 2025

Given This Reality

Mary Turfah

What comes together can come apart.

August 26, 2025

For Betar or Worse

Hannah Gais

There are distressingly few paths to challenging Canary Mission and Betar.

August 20, 2025

What Do I Have in Common with Jews?

Avi Ackermann

Judaism brings inherited obligation, not hereditary talent.

Baffler Newsletter

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From the Magazine

Current issue, no. 83

Yugoslavia Calling

Lily Lynch

The first internet war’s many interventions

The Profession That Does Not Exist

Baffler Symposium

Writing won’t make you a living

Detachment

Lauren Rothery

No alternatives were considered

From the Archives

American ballet, and its labor practices, at the breaking point.

Lose Your Self to Dance

Britt Stigler

May 2021

As we struggle for control over the scraps that are left, the young stand defiantly against the old.

The People Who Stole the World

Maximillian Alvarez

April 2018

Latest

April 23

A Portrait of the Artist as an Artist Portraying the Artist

Adrian Nathan West

This offers itself as revelation.

April 22

Eyes of Lillian Bassman

Philip Gefter

Lillian Bassman finally gets her due.

April 21

Betting the Farm

Diana Kruzman

In Ukraine, the corporate consolidation of farmland poses a number of risks.

A Portrait of the Artist as an Artist Portraying the Artist

Adrian Nathan West

April 23

A Portrait of the Artist as an Artist Portraying the Artist

Adrian Nathan West

April 23

A man looks at his laptop, behind which appear several smartphones that all show a quote from a review that says "Brilliant!"

April 22

Eyes of Lillian Bassman

Philip Gefter

Lillian Bassman finally gets her due.

April 21

Betting the Farm

Diana Kruzman

In Ukraine, the corporate consolidation of farmland poses a number of risks.

Online

April 17

March into the Ruins

Bruce Robbins

Remembering Alexander Kluge, 1932–2026.

April 16

Cherish Your Memorized Weakness

John Semley

The Comeback’s longitudinal study of TV enters the AI era

April 15

Vigilante Injustice

Charlotte Rosen

Two books revisit the Bernie Goetz shooting

April 14

What’s in a Name?

Nico Taylor

Shakespeare, meet Shakespere

April 9

They Came to See Us Suffer

Charlie Tyson

The rise of the influencer novel

April 8

Cloud Control

Brian J. Chen, Jai Vipra

Anthropic’s defiance of Trump and the new frontier of corporate governance

Poems

March

Low Flight

Wang Jibing

From issue no. 83

March

Arc Length

Emily Gordon

From issue no. 83

March

There’s Something Here from Somewhere Else

Hanif Abdurraqib

From issue no. 83

Fiction

April 24

The Wahlberg Express

Weldon Ryckman

“I am a big, bright, shining star!”

March 7, 2025

Flowers and Their Meanings

Marie-Helene Bertino

“‘A yellow rose means infidelity and disloyalty. My heart burns is cactus.’”

April 10

West Memphis Three

Garrett Crowe

Love is the law, love under will.

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