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Hyperspeed of the Immediate

Episode 106: Featuring Maximillian Alvarez
Art for Hyperspeed of the Immediate.
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The Nostalgia Trap podcast, hosted by David Parsons and produced by Peter Sabatino, features weekly conversations about history and politics with some of the left’s most incisive thinkers, writers, and extremely online personalities, exploring how individual lives intersect with the big events and debates of our era.

Maximillian Alvarez is a writer and academic whose work often explores the intersections of changing technological environments and the production of radical political philosophy. In this conversation, he talks about being surrounded by conservatives in Southern California during the 1990s, how the discovery of Russian literature expanded his political and intellectual worldview, and why it’s vital for academics to bridge the gap between the university and the wider public. Reflecting on Trump’s rise and the increasingly overt fascism of his troglodytic supporters, Alvarez invites us to consider the dark implications of social media’s powerful grip on the American mind:

We are seeing and experiencing firsthand how the changing media environment in the twenty-first century shapes politics. . . . When we’re writing the history of the beginning of the Trump era, we’re going to have plenty of work to do to figure out how his brand of populist ethnonationalism came to resonate with people, how the backlash to Obama materialized, the shifts on the right, etc. But we’re also going to have to ask other questions that are incredibly difficult.

What, for instance, are the political ramifications of a country’s increasingly pervasive loss of long term memory? [We’re] plugged into this hyperspeed of the immediate that social media and the digital news flow attunes [us] to, and I think this is having a very significant impact. The politics of resentment has found a place to flourish in a social media economy where the dopamine hits come from the responses of other people, that you get to see on your phone.

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