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While Listening to Bach’s Double Violin Concerto in D Minor

The order. The order of drifting clouds, tree crowns,

bending grass in the breeze, the descent

and swirl of windblown petals, the hiss

of reeds, the friction and whisper

of green bamboos, the gyration

of yellow pollen on the road, the order

of an exploding storm, the imprint

of lustrous puddles in the mud, crows

circling upwards, a glint of order

of zigzagging swallows, the shiny veins

of leaves on fractal branches, the microstructure

of butterfly wings, the scales of snakes, the unison

rotation of fish, the fluttering flood

of hungry starlings, the cacophony

of hay-smelling and star-scented stridulation,

the order of sea-rising moon magnet,

the breath of wind, the sound

of waves bellowing in the dark,

the booming of blood in your ears, the shuddering

sounds of glass bells on your skin and spine,

the tickle of a grass blade, the crack

of a plummeting pine tree, wild heartbeat—

the lightness of the soul after death,

as it glances back, and sees earth and cloud,

a petal storm and a shiny puddle,

it knows everything at once, if feels without a body,

it twirls yet it doesn’t get dizzy, it floats,

without the desire to exist in its destitution,

because that what was, will be. That is the order.