Gilles de Brock is a designer turned tile maker based between Antwerp and Amsterdam. Baffler Newsletter New email subscribers receive a free copy of our current issue. Share Tweet Email Read Later Pocket Instapaper You Might Also Enjoy Fulcrum Jana Prikryl 1. Across the river her voice sends shreds torn from something gelid, all acute angles though the surface of each. . . poems Nashville Drip Season Shane Book He removed himself with his hands, an effort not unnoticed. People threw shells, congotronic drumming looped from. . . poems Without the Pelt of a Lion Roger Reeves Rage: Sing, Goddess, of the on top of love And the president’s chronic angers, his mouth, a burning. . . poems Further Reading February 19 Art for Death in the Mango Orchard. Death in the Mango Orchard Rafia Zakaria The story of two girls lost to “an ordinary killing.” February 18 Art for Surrealism’s Beating Heart. Surrealism’s Beating Heart Reed McConnell On Leonora Carrington, Unica Zürn, and leaving musehood behind. February 18 Art for A Bleak Future for Water. A Bleak Future for Water Ray Levy Uyeda In California, climate change gives rise to a new commodity.
Fulcrum Jana Prikryl 1. Across the river her voice sends shreds torn from something gelid, all acute angles though the surface of each. . . poems
Nashville Drip Season Shane Book He removed himself with his hands, an effort not unnoticed. People threw shells, congotronic drumming looped from. . . poems
Without the Pelt of a Lion Roger Reeves Rage: Sing, Goddess, of the on top of love And the president’s chronic angers, his mouth, a burning. . . poems
February 19 Art for Death in the Mango Orchard. Death in the Mango Orchard Rafia Zakaria The story of two girls lost to “an ordinary killing.”
February 18 Art for Surrealism’s Beating Heart. Surrealism’s Beating Heart Reed McConnell On Leonora Carrington, Unica Zürn, and leaving musehood behind.
February 18 Art for A Bleak Future for Water. A Bleak Future for Water Ray Levy Uyeda In California, climate change gives rise to a new commodity.
